In reality, shooting in golden hour can be far more complicated than shooting under more controlled lighting conditions, despite what it seems like on the surface. It’s a common misconception that shooting at this time of day is easy, primarily because less gear is involved than on a typical interior or night exterior scene. That said, just because you don’t have as many lights, c-stands, or flags lying around on set, doesn’t mean you don’t have your work cut out for you. Filmmakers like Terrence Malick have made a career out of shooting around sunset, and many others continue to follow suit as it’s distinctive characteristics are hard to resist.īut shooting in golden hour isn’t always easy, and many filmmakers go into golden hour shoots completely underprepared. The sun emits an incredibly beautiful, warm, and forgiving quality of light at this time of day, and it’s unique look simply can’t be replicated. Golden hour (or magic hour) of course refers to the hour leading up to sunset, but can also refer to the hour beginning directly after sunrise. This bias has inevitably led me to shoot during golden hour consistently, as this time of day can offer some of the best natural light results when done right. In fact, whenever possible I aim to shoot exclusively with natural light, and only when necessary I will augment it with additional light sources to help enhance the look, as to avoid losing the organic aesthetic that I’m after. I love shooting with natural light, and particularly during golden hour.
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